Abstract
The connection between geometry and architectural form, that had already begun to be questioned from the crisis of the Modernity, presents new possibilities after the intervention of digital media during the process of architectural design. Starting with the dialectic established between Frampton and Banham, when the further reviewed the book The Architecture of the Well-Tempered Environment and with the concepts structural frame and pragmata, which summarize the positions of both respectively, the present article aims to analyze the state of the relationship geometry-form in the contemporary architecture. To this end, six manifestoes written between 1995 and 2004 will be taken as sample of the most relevant concepts developed in this period, considered as a key to completely understand the transformation from analog to digital design applied to architecture, until reaching the paradox that defines this geometry-form relationship currently.