Abstract
This article sheds light on the Norwegian playwright Henrik Ibsen's interest in Egypt and the Arab world. It underscores the influence of his tour in Egypt during the opening of the Suez Canal on his works, drawing on the theoretical underpinnings established by Edward W. Said. The study foregrounds Ibsen's correspondence, plays, and other works that include references to his two-month stay in Egypt and to his encounter with the Arab culture. Ibsen's references validate the Western stereotyping and ideology that have influenced a wide array of Western writers in the ways they misrepresent and misinterpret the Arab culture, and concomitantly other references mirror a personal force of admiration. Additionally, the article discusses the idea that Ibsen's sojourn in Egypt did not alter his viewpoint of the Arab culture in general and the Egyptian one in particular which is markedly controlled by the Western stereotyped image of Arabs and their culture.